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Gardel's will
His age, that has to do with the true date of his birth,
and his nationality are, still today, a reason of controversy.
In spite of a passport, where he forges his origin
to avoid the consequences of not complying with military service in
France, and some carnet of a sports institution, Gardel was always regarded
as French.
His
first nickname in the neighborhood of El Abasto was "El francesito"
(The Little French). And when the time passed and his stage of singing
in duo with José Razzano
was remembered, he was known as "El morocho" and Razzano as "El oriental"..
Evidently if one is oriental (Uruguayan), the other is not. Had both
been identified in the same manner they would have been "Los orientales"
or "Los morochos". Finally, it is simply a logical reasoning that I
do to put an end in my mind, with an argument that besides, among other
things, seems to me useless.
But if there is a time of reflection and sincerity
in the life of a man, this is undoubtedly the time when he writes his
will. A will in which the only beneficiary was his mother, Mrs. Berta,
and all those he released from their debts whom he did not even mentioned.
But I want to emphasize the fact that Mrs. Berta herself
is who has to officially record the holographic will made by his son
before a Notary Public, to be able to start the probate proceeding.
Even though his mother was his universal heir and for that reason it
seems useless to use the will to begin the succession, this was absolutely
necessary because all the estate was under Carlos Gardel´s name,
that was his artistic name and not his true name. For this reason she
had to register it with the official notary.
In fact, that document was attested not only by the
notary public, but also and fundamentally by his mother, who tacitly
acknowledges its veracity.
Finally, the judge of the succession certifies as truthful
all the data about his name, filiation, date and place of birth, hence
the importance of the document.
Subsequently, Gardel´s holographic will is fully
transcribed, whose official record was made by the Notary Public Felipe
T. Ibáñez on August 21, 1935, whose copy I have before,
attested by the Notary Public José Eduardo Burlet, on May 18,
1968.
"This is my will. In this city of Buenos Aires
on this seventh day of November 1933, being in full possession of my
intellectual faculties I execute this my holographic will, in it disposing
of my estate for the time after my death, in the following way: First
I am French born in Toulouse, on December 11, 1890 and I am son of Berthe
Gardes, Second I put on record expressly that my true name and
surname are Carlos Romualdo Gardes, but due to my profession as artist,
I have taken and always used the surname "Gardel" and with this surname
I am known everywhere. Furthermore I put on record that the accounts
I have in the Banks, expressly in Banco de la Nación Argentina,
as my title deeds and other papers appear invariably with the name and
surname I adopted, that is to say Carlos Gardel- Third. I am single
and I do not have natural children- Fourth- I do not owe any sum and
release all that is owed to me. My estate will result of the titles
and papers that I have at the time of my death- Fifth- I appoint my
above mentioned mother Berthe Gardes as my sole and universal heir of
all my estate and rights.- sixth- I appoint my friend Armando Defino
as my testamentary executor to settle my testate proceedings and advice
my mentioned mother during the handling of it- Not having other provisions,
I put on record that these presents have been written with my own hand
and executed only once, I sign it on the date above mentioned. Carlos
Gardel"
After the reading of this transcription is hard to
think that doubts persist.
If furthermore is added that there are other documents
that validate the data written by "El Zorzal" in his will, such as his
birth certificate and some school certificate, it turns out funny the
insistence of some researchers in ignoring what Gardel himself states
in his handwriting.
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