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Phonograph vs.
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Origins
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Libertad Lamarque
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Víctor's
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Tango
in Japan
Springtime in our lives and in tango
By Lydia Orsi
The short life of the Cátulo Castillo Orchestra
By Leonardo Roldán
Italian tango artists
By Leonardo Roldán/Nestor Pinsón
Italian immigration and tango
By Nicolás Sosa Baccarelli
Electra Records (1923-1930)
By Héctor Lorenzo Lucci
The Canaro Quintets: Don Pancho and Pirincho
By Néstor Pinsón
Todo Tango at Bien Bohemio... And now comes the second! Wednesday May 9, 2012
By Graciela D’Angelo (unicabettyboop)
Updated data about the origin of Villoldo and his family
By Tito Rivadeneira/Osvaldo Cattaneo
Tango: a reflection of what we are
By Nicolás Sosa Baccarelli
From “La morocha” to “El Garrón”. Tango conquers Paris.
By Néstor Pinsón
Federico and tango
By Lydia Orsi
The “other” Orquesta Típica Select
By Enrique Binda
Manzi, a mythology of the suburbs
By Nicolás Sosa Baccarelli
Chronicle of a much awaited dinner
By Jorge Porres “El Apóstol”
Benigno Macías, the introduction of tango in Europe
By Javier Barreiro
Germinal Lubrano, the tango painter
By Anamaría Blasetti
The “orquestas típicas” and their recordings, 1910-1912
By Enrique Binda
Spanish tango singers
By Javier Barreiro
Tango in Spain
By Juan Manuel Peña
The itinerant singers (payadores) and the early recordings in Buenos Aires
By Héctor Lorenzo Lucci
The publishing houses of tango sheet music (Second part)
By Ricardo García Blaya
The publishing houses of tango sheet music (First part)
By Ricardo García Blaya
Brothers and bass players: Pepe and Kicho Díaz
By Néstor Scalone
The city lit with streetlamps and small lanterns
By Néstor Pinsón
The Atlanta records puzzle
By Enrique Binda
Eloísa de Silva, the first woman composer of tangos
By Vicente Gesualdo
The nose pressed on the glass (Some barrooms in the Argentine movies - Second part)
By Rómulo Berruti
The nose pressed on the glass (Some barrooms in the Argentine movies - First part)
By Rómulo Berruti
The Canaro’s musicals (Second part)
By Nestor Pinsón
The Canaro’s musicals (First part)
By Nestor Pinsón
Manifold labels
By Enrique Binda
A millon tangos
By Ricardo García Blaya
Old codes of the Buenos Aires night: Taka Taka and Rodríguez Peña
By Francisco García Jiménez/aportes de Raúl Castelli
The electric recordings and a marketing trick
By Enrique Binda
Humor and tango in the Argentine movies
By Néstor Pinsón/Ricardo García Blaya
Dinner with the friends of the café on July 15, 2008
By José Pedro Aresi
Bands, rondallas and tangos (Part 2)
By Enrique Binda
Grandes Valores del Tango, a break and a “quebrada”
By Jorge Finkielman
Bands, rondallas and tangos
By Enrique Binda
Evaristo Barrios’s autobiographical sketches
By Néstor Pinsón
At what speed the 78 rpm discs were recorded?
By Enrique Binda
Aníbal Troilo and his appearances in the movies and at theater
By Néstor Pinsón
The "Troupe Ateniense" (The Athens Group), subject of an interesting radio talk
By Carlos Echinope Arce
The vals criollo
By Ricardo García Blaya
When tango is admitted into the prescription books
By Luis Alposta
Gabino Ezeiza, the payador of San Telmo
By Héctor Ángel Benedetti
In memory of my unforgettable friend Jorge Palacio
By Ricardo García Blaya
Pre-Decarean Orchestra Innovators
By Enrique Binda
A forgotten record label: Phono d’Art
By Héctor Ángel Benedetti
Atlanta Records 1913-1917
By Héctor Lorenzo Lucci
The profound meaning of the dinner on May 16, 2006
By Jorge Dobalo
Malena’s hands
By Rodolfo Ghezzi
When did tango went abroad?
By Enrique Binda
Intimate celebration of the end of the year by the Mesa del Café
By José Pedro Aresi
"El alma que canta" (The soul that sings) (1916-1961)
By Néstor Pinsón
Gardel's former partner, in a subdued light
By Rómulo Berruti
A memory for Eladia
By Antonio Rodríguez Villar
The movies of Canaro
By Héctor Ángel Benedetti
The origins of tango in Mexico and its interpreters
By Jesús Orozco
River Plate tango or Argentine tango?
By Enrique Binda
Eight thousand million Internet pages
By Héctor Ángel Benedetti
The old time, a stimulating appetizer
By Daniel Beller
The Bandoneon in the River Plate, Part II
By Oscar Zucchi
Dinner of December 14, 2004
By Alberto Rasore
Tango in Brazil
By Agilmar Machado
Ignacio Corsini’s “Federal Cycle”
By Héctor Ángel Benedetti
Letter from Yoyi Kanematz to Rosita Quiroga
By Luis Alposta
The first recording of an "Orquesta Típica"
By Enrique Binda
The Glostora Tango Club
By José Pedro Aresi
There was no Ferroquina Bisleri to drink at the dinner party
By Héctor Ángel Benedetti
Barquina, a character of Buenos Aires
By Carlos Manus
Juan Maglio "Pacho": the TX series
By Héctor Ángel Benedetti
The Gath & Chaves shop also released records
By Héctor Ángel Benedetti
December 15, 2003, a dinner for tango fans or chronicle of an aching man
By Oscar Bianchi
Tango in Poland, 1913 - 1939
By Jerzy Placzkiewicz
Cabarets in the forties
By Jorge Palacio (Faruk)
The Max Glücksmann Contests
By Néstor Pinsón
The International Supper of Mesa del Café
By Guadalupe Aballe
Nicknames in Tango
By Felipe Van Cauwelaert
The bandoneon, name, origin and manufacturers
By Oscar Zucchi
Dinner on Todo Tango’s Day, May 19, 2003
By José Pedro Aresi
Cadícamo and the echo in the cathedrals
By Carlos Manus
The film music recorded by Roberto Firpo
By Jorge Finkielman
Lopecito, a pioneer at spreading tango
By Ricardo Ancarola
Florencio Sánchez and the "canillita", reason of a tango inspiration
By Néstor Pinsón
A memorable celebration (Last dinner of the year of “La mesa del café”)
By Oscar Bianchi
The Kings of the Gramophone
By Daniel Beller
Astor Piazzolla - Octeto de Buenos Aires. The post-French revolution.
By Julio Nudler, Aldo Delhor y Laureano Fernández
The unknown facet of the Gaucho Relámpago
By Daniel Beller
Piazzolla in France. Always Paris, adieu Paris.
By Julio Nudler, Aldo Delhor, Laureano Fernández
When a virtual friendship comes true
By Ricardo García Blaya/Felipe Van Cauwelaert
The Vitrolera
By José Pedro Aresi
Arranging and orchestration
By Daniel Lomuto
Tango on Radio
By Roberto Selles
The rise of tango in Japan
By Carlos Manus
Chispazos de tradición (Sparks of tradition)
By Carlos Fontán (El Duende)
Reflections about the origins of tango
By Ricardo García Blaya
Mordisquito. Discépolo and Peronism.
By Ricardo García Blaya
What do you hear when you hear me?
By Julio Nudler
Tango in Venezuela. An evening with the tangos 'cañoneros'.
By Ricardo Sayalero García
The name of "Los Inmortales"
By Antonio Requeni
Sigfredo Pastor, a tango painter
By Jorge Montes
Libertad Lamarque y Eva Perón, two tough dolls
By Ricardo García Blaya
Two friends: Enrique Dizeo and Celedonio Flores
By Gaspar Astarita
The Sounds of the Centennial
By Héctor Lorenzo Lucci
Hombre de la esquina rosada (Man from the Pink Corner) - Borges and tango
By Oscar Bianchi
Tango has three things: beat, impact and nuances
By Juan D'Arienzo
Tango for listening
By Elsa Bragato
Tango and our native music
By Antonio Rodríguez Villar
Women in tango
By Mirta Vázquez
A Corto and a quebrada
By Julio Nudler
Carlos D. Nasca. El Gaucho Relámpago
By Bruno Cespi
Germany, war, record... Tango
By Héctor Lorenzo Lucci
The work of Carlos Bahr as author
By Gaspar Astarita
The tango singer: His evolution along time
By Ricardo García Blaya
Phonograph vs gramophone
By Héctor Lorenzo Lucci
Victor´s little dog
By Héctor Lorenzo Lucci
Tania: A beaming jingle bell
By Antonio Rodríguez Villar
The "Estribillistas" (refrain vocalists)
By Néstor Pinsón y Ricardo García Blaya
The tenor Tito Schipa and Tango
By Emilio Zamboni
Tango, a Black affair. The last CD by Juan Carlos Cáceres. An Argentine in Paris
By Julio Nudler
Notes on Arolas and his times
By Ricardo García Blaya
The true name and date of birth of Charlo
By Néstor Pinsón
The "organito" (the barrel organ)
By Néstor Pinsón y Julio Nudler
